Interpreting the New York Mayor's Sartorial Statement: The Garment He Wears Tells Us About Contemporary Masculinity and a Changing Culture.
Coming of age in London during the 2000s, I was constantly surrounded by suits. You saw them on businessmen rushing through the Square Mile. They were worn by fathers in Hyde Park, playing with footballs in the evening light. At school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has served as a costume of gravitas, projecting power and professionalism—qualities I was expected to embrace to become a "adult". Yet, until recently, people my age appeared to wear them less and less, and they had largely vanished from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a sober black overcoat, crisp white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captured the public's imagination unlike any recent contender for city hall. But whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing was mostly constant: he was almost always in a suit. Relaxed in fit, modern with unstructured lines, yet conventional, his is a quintessentially middle-class millennial suit—well, as common as it can be for a cohort that seldom bothers to wear one.
"This garment is in this strange place," notes style commentator Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal settings: weddings, memorials, to some extent, legal proceedings," Guy states. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long retreated from daily life." Numerous politicians "don this attire to say: 'I represent a politician, you can trust me. You should support me. I have legitimacy.'" Although the suit has historically signaled this, today it performs authority in the hope of winning public trust. As Guy clarifies: "Since we're also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts manliness, authority and even closeness to power.
This analysis resonated deeply. On the rare occasions I need a suit—for a wedding or black-tie event—I retrieve the one I bought from a Tokyo retailer a few years ago. When I first selected it, it made me feel sophisticated and expensive, but its slim cut now feels outdated. I suspect this sensation will be all too recognizable for many of us in the diaspora whose families come from somewhere else, particularly developing countries.
It's no surprise, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's shape goes through trends; a specific cut can thus define an era—and feel quickly outdated. Take now: looser-fitting suits, echoing Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the cost, it can feel like a considerable investment for something destined to be out of fashion within a few seasons. But the appeal, at least in some quarters, persists: recently, major retailers report suit sales rising more than 20% as customers "move away from the suit being everyday wear towards an appetite to invest in something special."
The Politics of a Accessible Suit
The mayor's go-to suit is from Suitsupply, a Dutch label that retails in a mid-market price bracket. "He is precisely a product of his upbringing," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will resonate with the demographic most likely to support him: people in their 30s and 40s, university-educated earning professional incomes, often discontented by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits plausibly align with his proposed policies—which include a capping rents, building affordable homes, and fare-free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "He's extremely wealthy and was raised in that New York real-estate world. A status symbol fits naturally with that elite, just as attainable brands fit naturally with Mamdani's constituency."
The history of suits in politics is long and storied: from a well-known leader's "controversial" tan suit to other national figures and their suspiciously impeccable, tailored appearance. Like a certain UK leader discovered, the suit doesn't just clothe the politician; it has the potential to define them.
The Act of Normality and A Shield
Maybe the key is what one scholar calls the "enactment of banality", invoking the suit's long career as a uniform of political power. Mamdani's specific selection taps into a studied modesty, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him appeal to as many voters as possible. However, experts think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't neutral; scholars have long noted that its modern roots lie in military or colonial administration." Some also view it as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might doubt it.
This kind of sartorial "code-switching" is hardly a recent phenomenon. Even iconic figures once donned formal Western attire during their formative years. These days, other world leaders have started exchanging their typical fatigues for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between insider and outsider is visible."
The suit Mamdani selects is highly significant. "Being the son of immigrants of South Asian heritage and a progressive politician, he is under pressure to meet what many American voters look for as a marker of leadership," notes one expert, while at the same time needing to walk a tightrope by "avoiding the appearance of an elitist betraying his distinctive roots and values."
But there is an acute awareness of the different rules applied to who wears suits and what is read into it. "That may come in part from Mamdani being a younger leader, able to adopt different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, customs and clothing styles is typical," commentators note. "White males can go unnoticed," but when others "attempt to gain the power that suits represent," they must meticulously negotiate the expectations associated with them.
Throughout the presentation of Mamdani's public persona, the tension between belonging and displacement, insider and outsider, is visible. I know well the awkwardness of trying to conform to something not designed with me in mind, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in public life, image is not neutral.